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Completely unclothed figures are rare in medieval art, the notable exceptions being Adam and Eve and the damned in Last Judgement scenes, and the ideal forms of Greco-Roman nudes are completely lost, transformed into symbols of shame and sin, weakness and defenselessness.and even when glorified in heaven, to allow him to display the wounds his sufferings had involved.
Kenneth Clark considered idealization the hallmark of true nudes, as opposed to more descriptive and less artful figures that he considered merely naked.His emphasis on idealization points up an essential issue: seductive and appealing as nudes in art may be, they are meant to stir the mind as well as the passions.Christian attitudes cast doubt on the value of the human body, and the Christian emphasis on chastity and celibacy further discouraged depictions of nakedness, even in the few surviving Early Medieval survivals of secular art.The shape of the female "Gothic nude" was very different from the classical ideal, with a long body shaped by gentle curves, a narrow chest and high waist, small round breasts, and a prominent bulge at the stomach (as in the Hugo van der Goes at left).Male nudes tended to be slim and slight in figure, probably drawing on apprentices used as models, but were increasingly accurately observed.An early example of this is Polykleitos' sculpture Doryphoros (ca. In the convention of heroic nudity, gods and heroes were shown nude, while ordinary mortals were less likely to be so, though athletes and warriors in combat were often depicted nude.
In Ancient Greece, where the mild climate was conducive to being lightly-clothed or nude whenever convenient, and male athletes competed at religious festivals entirely nude, and celebrated the human body, it was perfectly natural for the Greeks to associate the male nude form with triumph, glory, and even moral excellence.
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" -Michelangelo The nude figure is a tradition in Western art, and has been used to express ideals of male and female beauty and other human qualities.