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In The Tale of Genji, written in the early 11th century, men are frequently moved by the beauty of youths.In one scene the hero is rejected by a lady and instead sleeps with her young brother: "Genji pulled the boy down beside him ...
Japan has no laws against homosexual activity, and has some legal protections for gay individuals.Male couple on a futon: A man reclines with one wakashū and converses with another while a female onlooker stares.Note the Wareshinobu hairstyle of the young man, indicating a male trainee maiko.There were few laws restricting sexual behavior in Japan in the beginning of modern period.Anal sodomy was restricted by legal prohibition in 1872, but the provision was repealed only seven years later by the Penal Code of 1880 in accordance with the Napoleonic Code.Indeed, several works suggest that the most "envious" situation would be to have both many jōrō and many wakashū.
Men who were purely homosexual might be called "woman-haters" (onna-girai); this term, however, carried the connotation of aggressive distaste of women in all social contexts, rather than simply a preference for male sexual partners.
Possibly the first nanshoku erotic print, as well as an early example of a hand-colored ukiyo-e print in the shunga (erotic) style.
Early 1680s by Hishikawa Moronobu (1618–94); Ôban format, 10.25" × 15"; Sumi ink and color on paper; Private collection.
Several writers have noted the strong historical tradition of open bisexuality and homosexuality among male Buddhist institutions in Japan.
When the Tendai priest Genshin harshly criticised homosexuality as immoral, others mistook his criticism as having been because the acolyte wasn't one's own.
During the 17th century, these men (or their employers) sought to maintain their desirability by deferring or concealing their coming-of-age and thus extending their "non-adult" status into their twenties or even thirties; this eventually led to an alternate, status-defined shudō relationship which allowed clients to hire "boys" who were, in reality, older than themselves.s long forelocks, their most salient age marker, in kabuki plays; intended to efface the sexual appeal of the young actors and thus reduce violent competition for their favors, this restriction eventually had the unintended effect of de-linking male sexual desirability from actual age, so long as a suitably "youthful" appearance could be maintained.